Danielle Lessovitz is a screenwriter, producer, and director from the United States. She started her career in 2008, directing many short films before heading her feature directorial debut, Port Authority, which debuted in the Un Certain Regard section of the 2019 Cannes Film Festival.
Danielle Lessovitz’s Early Life
Danielle Lessovitz was born in Kansas City in the 1990s and now lives in New York City. She considers herself to be a queer lady. Gender is a funny issue because I don’t feel one way or another, Lessovitz says, revealing that she uses female pronouns and considers herself genderless.
Lessovitz was surrounded by a solid Christian community in Kansas City, where she felt a lot of guilt for being gay. She traveled around the United States and overseas after completing her studies at Northwestern, eventually settling in New York City. She earned a Master of Fine Arts in Film Directing from New York University Tisch School of the Arts, where she was given a fellowship for her studies and studied under Ira Sachs, among others. She is presently a filmmaking professor at Rutgers University.
Danielle Lessovitz’s Personal life
Danielle Lessovitz hides her personal life to maintain a low-key public image. Because Lessovitz tries to keep her personal life private, little facts about her dating life are available.
Consequently, it’s impossible to tell if she’s married or has children. However, it will be updated as soon as new information becomes available.
Danielle Lessovitz Net Worth Collection
Danielle Lessovitz, who works in the entertainment industry as a screenwriter, producer, and director, has amassed a sizable fortune. As a result, her career is her primary source of income. According to sources, she has a net worth of $300,000.
Following hearing about Haitian families in Queens enduring loss after the 2010 Haiti disaster, Lessovitz wrote The Earthquake in 2010. The film is set in Brooklyn and follows a pregnant Haitian immigrant who is concerned about the health of her unborn child. It was shown in the Torino Film Festival’s 30th edition.
Danielle Lessovitz’s Career
Following hearing about Haitian families in Queens facing loss from afar after the 2010 Haiti disaster, Lessovitz developed the short The Earthquake in 2012. The film is set in Brooklyn and follows a pregnant Haitian immigrant concerned about her child’s health.
It premiered at the 30th Torino Film Festival. Lessovitz received the Philadelphia Jewish Film Society’s New Filmmaker Award, the Kansas City Film Festival’s Best Hartland Short, and the Ben Lazeroff Award for Screenwriting for this film.
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The dramatic film Mobile Homes (2017), directed by Vladamir de Fontenay, was Leibovitz’s first Cannes Film Festival entry. She worked as an artistic partner with de Fontenay throughout the writing process, co-executive producing the film with Charles de Rosen.
Port Authority (2019)
Danielle Lessovitz made her feature film directorial debut with Port Authority (2019), which debuted in the Un Certain Regard section of the Cannes Film Festival. The narrative follows Wye (Leyna Bloom), a black transgender woman, and Paul (Fionn Whitehead), a homeless white guy who falls in love with the New York ball subculture.
Martin Scorsese executive produced the film, and Lessovitz said she was afraid to show the finished result because to feel like you have one of the greatest, if not the most significant American auteurs offering up his expertise and mentoring to you is weird, she added.
Lessovitz displaces the… white-male position to the outside of LGBT society in the film, according to Taylor B. Hinds of I AM FILM, requiring Whitehead’s character Paul to rediscover his sexuality and manhood while engrossed in the ball scene.
Lessovitz has stated that she was aware of ball culture as a film student after seeing Paris Is Burning, but she had no idea it was still alive in the 2010s until she was invited to one during a period of crisis following her father’s suicide; watching people vogueing gave her respite during this time, and speaking with drag families helped her gain a new understanding of family structures. Paul’s character has numerous traits with Lessovitz, but she notes that the film explores his masculine privilege, which she has never experienced.
Lessovitz devoted a lot of attention to Paul’s identification as a white person, according to IndieWire’s Jude Dry; in an interview with the outlet from Cannes, she said:
We need to have talks, particularly as white allies… What are the best ways to learn about these important and relevant stories? How do we do it in a manner that honors the underlying humanity that flows through us all? And we need a medium ground where we’re not operating in a commercial or fetishistic arena, attempting to exploit or profit off a class of underprivileged people’s magnificent cultural contributions.
Lessovitz’s skill to handle the drama’s unique hook in measured terms allows this scrappy little film to strike a softly progressive tone, according to Kohn.
Mobile Homes And Ghost
Vladimir de Fontenay directed the 2017 Canadian drama film Mobile Homes. The 2017 Cannes Film Festival was presented in the Directors’ Fortnight section. With her drunk boyfriend and her 8-year-old kid, a young mother moves from one hotel to the next.
The haphazard family scrapes by, one hustle at a time until they come upon a mobile home neighborhood that promises a better way of life. Valentino’s Ghost (2012) is a documentary that explores how America’s Middle East foreign policy objective influences how Arabs and Muslims are portrayed in the American media.
Danielle Lessovitz’s Project Participated At The Cannes Film Festival.
The tragic film Mobile Homes (2017), directed by Vladamir de Fontenay, was Danielle Lessovitz’s first production to screen at the Cannes Film Festival. The Cannes Film Festival, known in English as the Cannes Film Festival until 2003 as the International Film Festival (Festival international du film), is an annual film festival held in Cannes, France, that showcases new films of various genres, including documentaries, from across the globe. The invitation-only event, which began in 1946, occurs yearly (typically in May) in the Palais des Festivals et des Congrès. The FIAPF officially authorized the festival in 1951.
Pierre Lescure, co-founder and former CEO of French pay-TV company Canal+, was named President of the Festival on July 1, 2014, while Thierry Frémaux was named General Delegate. Gilles Jacob was also named Honorary President of the Festival by the directors.
It is one of the Big Three major European film festivals, alongside Venice and Berlin, as well as one of the Big Five major international film festivals, which includes the three major European film festivals, the Toronto International Film Festival in Canada, and the Sundance Film Festival in the United States.
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